有没有高手翻译一下这篇论文啊

有没有高手翻译一下这篇论文啊
严格地说,观众或读者是艺术的一个重要组成部分,至少在美学上是这样
的,因为文艺作品的价值和意义不仅仅由作者意图和作品本身结构所决定,而
是在读者的阅读中逐步得到实现.由于读者的能动介入,作品刁‘获得现实性存
在和生命,否则,它将只是一堆死的物质材料和符号印迹.即如一出戏若没有
观众观看,它们就将是永远不曾进入流通领域以实现其审美价值的案头之作,
就只是死的语言材料.有鉴于此,接受美学才认为戏曲作品的结构意义等于剧
作者(一度创造)通过表导演艺术(二度创造)所赋予的意义,再加上观众以
观赏方式参与的三度创造所领会并赋予的意义.一部戏曲作品的审美价值就必
须这样由观众参与直到戏曲最后完成才得以实现.可以说观众问题即审美接受
问题不仅是个舞台实践问题,同时也是个重要的戏剧理论问题,因为审美接受
是戏剧创作内部关系的重要环节,是戏剧机体生命运动的内在动力,会影响作
家的构思及作品的艺术风格.在古代曲论中尤其是明嘉靖前却很少人接触到戏
曲的审美接受的问题.而天才狂士徐渭面对明代曲坛的种种弊端,却敏锐地感
触到戏曲的审美接受问题.
徐渭认为“夫曲本取于感发人心,歌之使奴、童、妇、女皆喻,乃为得体.”
他强调戏曲艺术的审美功能在于“感发人心”,而其审美接受对象就是“奴、童、
妇、女”这些广大中下层百姓.这种审美接受的观点既是对“今人时文气”骄
俪化创作的理性批判,又为戏曲接近广大市民观众铺展了一条明路.在对戏曲
源流的探求中,徐渭就肯定了戏曲来源于民间,“南曲本市里之谈”“村坊小曲
而为之”,肯定了戏曲最初创作者和接受者都是普通百姓,也就确认了戏曲与生
俱来的通俗性、娱乐性.其实翻开浩繁中国文学史,我们会发现这种属性时刻
伴随着文学的发展.“从诗歌的绝律到词,由词到曲,形式一再突破,它是沿着
‘渐近人情’,不断通俗化、群众化,不断增强其自身表现能力的轨道前进的.”‘
遗憾的是,越来越多的文人学士忽视“词藻工,句意妙,如不谐里耳,为案头
之书,已落第二义”2这一戏曲创作的基本要求,将“词工句妙”的文人审美情
趣与广大市民群众“通俗易懂”的普遍审美要求对立起来,这虽可能使剧作拓
展思想蕴载的广度与深度,但最终会导致因脱离广大审美接受者而走向衰落的悲剧.

Strictly speaking,viewers or readers of the arts is an important part,at least in aesthetic is so
,Because the literary works of the value and significance not only works by authors intent and determined by the structure itself,
The readers gradually be achieved.As the reader's active involvement,works Diao 'access to the reality of depositors
And in life,otherwise it will just a pile of dead material and material and symbols imprinted.That is,if the play if not
The audience watched,they will never have not entered circulation in order to achieve its aesthetic value of the desk for,
Death is only the language materials.In view of this,the only acceptable aesthetic that opera works of significance is the structure of drama
The author (was created) Table art director (to create a second) under the significance,together with the audience to use
Watch the three-time participation in the creation and empowerment by understanding the meaning.An operatic works of aesthetic value essential
This required by the audience participation until the last completed opera only be achieved.The problem is that the audience can accept the aesthetic
The problem is not only a stage of practical issues,but also plays an important theoretical question,because aesthetic acceptance
Creative Drama is an important link in the internal relations,the body is the drama of life the internal driving force for movement,will be affected
The idea of home and works of art style.On the ancient song in particular has Mingjia Jing ago very few people exposed to opera
Qu to accept the aesthetic problems.The genius Kuangshi Xu Wei Qu Ming Dynasty altar in the face of many defects,but keenly flu
Opera aesthetic touch to accept the problem.
Xu Wei that "husband Quben from the flu in people's minds,the songs of slavery,child,UNIFEM,the women are metaphor,as is appropriate."
He stressed that the art of opera aesthetic function is to "sense the people's hearts," and its aesthetic object is to accept "slavery,child,
UNIFEM,the women "in the lower deck of the broad masses of the people.This aesthetic point of view is to accept the" modern people,when gas "arrogance
Li creation of rational criticism,and for the opera close to the general public audience rollout of a Ming Road.In the opera
Explore the origins,Xu Wei on the opera certainly from the public,"Nanqu the city,talk," "Cunfang Xiaoqu
To do this,"affirmed the original opera creators and recipients are ordinary people,also confirmed the opera with the Health
To both the popular and entertaining.In fact,turned voluminous History of Chinese Literature,we will find that this attribute moment
Along with the development of literature."From poetry to the law no word from words to the song,the form of repeated break,which is along the
'Asymptotic human',the popularization of the masses,constantly enhance their own performance capacity of the track." '
Unfortunately,more and more civilian-degree ignored,"the words,Ju Yi Miao,if not coherent in our ears,for the desk
The book,have charged the second meaning "the creation of the basic requirements of opera," Miao sentence for the word "literati aesthetic intelligence
Fun with the broad masses of the people "easily understood" the general antagonism between aesthetic requirements,although this may play Extension
Chin Yun-thinking set the breadth and depth,but will eventually lead to a result from the majority of recipients and aesthetic decline to the tragedy.