作业帮傲慢与偏见的作者Jane Austin的英文简介
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傲慢与偏见的作者Jane Austin的英文简介
Jane Austin 英文版简介 最好200字上
Jane Austin 英文版简介 最好200字上
The English author Jane Austen lived from 1775 to 1817. Her novels are highly prized not only for their light irony, humor, and depiction of contemporary English country life, but also for their underlying serious qualities.
Jane Austen was born December 16th, 1775 at Steventon, Hampshire, England (near Basingstoke). She was the seventh child (out of eight) and the second daughter (out of two), of the Rev. George Austen, 1731-1805 (the local rector, or Church of England clergyman), and his wife Cassandra, 1739-1827 (née Leigh). (See the silhouettes of Jane Austen's father and mother, apparently taken at different ages.) He had a fairly respectable income of about £600 a year, supplemented by tutoring pupils who came to live with him, but was by no means rich (especially with eight children), and (like Mr. Bennet in Pride and Prejudice) couldn't have given his daughters much to marry on.
Jane Austen did a fair amount of reading, of both the serious and the popular literature of the day (her father had a library of 500 books by 1801, and she wrote that she and her family were "great novel readers, and not ashamed of being so"). However decorous she later chose to be in her own novels, she was very familiar with eighteenth century novels, such as those of Fielding and Richardson, which were much less inhibited than those of the later (near-)Victorian era. She frequently reread Richardson's Sir Charles Grandison, and also enjoyed the novels of Fanny Burney (a.k.a. Madame D'Arblay). She later got the title for Pride and Prejudice from a phrase in Burney's Cecilia, and when Burney's Camilla came out in 1796, one of the subscribers was "Miss J. Austen, Steventon". The three novels that she praised in her famous "Defense of the Novel" in Northanger Abbey were Burney's Cecilia and Camilla, and Maria Edgeworth's Belinda. (See also the diagram of Jane Austen's literary influences).
Jane Austen enjoyed social events, and her early letters tell of dances and parties she attended in Hampshire, and also of visits to London, Bath, Southampton etc., where she attended plays and such. There is a famous statement by one Mrs. Mitford that Jane was the "the prettiest, silliest, most affected, husband-hunting butterfly she ever remembers" (however, Mrs. Mitford seems to have had a personal jealousy against Jane Austen, and it is hard to reconcile this description with the Jane Austen who wrote The Three Sisters before she was eighteen).
There have been only two authentic surviving portraits of Jane Austen, both by her sister Cassandra, one of which is a back view! (A poor-quality greycale JPEG and a poor-quality color JPEG of this are available.) The other is a rather disappointing pen and wash drawing made about 1810 (a somewhat manipulated JPEG of this original sketch is available). The main picture of Jane Austen referenced at this site (JPEG) is a much more æsthetically pleasing adaptation of the same portrait, but should be viewed with caution, since it is not the original (for a more sentimentalized Victorian version of this portrait, see this image, and for an even sillier version of the portrait, in which poor Jane has a rather pained expression and is decked out in cloth-of-gold or something, see this image -- for some strange reason, it is this last picture which has been frequently used to illustrate popular media articles on Jane Austen). Here's the silliest version of this portrait ever.
For a fun modern re-creation of the Jane Austen portrait, see the "Photograph" of Jane Austen lounging at a Hollywood poolside (as seen in Entertainment Weekly). See also a deliberately contemporized (but not silly) version of the portrait by Amy Bellinger. The silhouette included at the top of these files (if you have a graphic browser) is not actually known with certainty to be Jane Austen's. Here is another silhouette said to be of Jane Austen, taken from The Illustrated Letters of Jane Austen edited by Penelope Hughes-Hallett (formerly published as My Dear Cassandra: The Letters Of Jane Austen).
Silhouettes of Jane Austen's father and mother (that of her father apparently taken at a rather earlier age), a silhouette of Cassandra, and Cassandra's portrait of their niece Fanny Knight (JPEG) are also available.
In 1994, another portrait, claimed to be of Jane Austen, has been discovered among Mr. Clarke's papers, and published in a limited edition (this portrait was reportedly printed in the Daily Telegraph book section of Saturday, March 4 1995). Go to this site for more information (and a scanned image) of the portrait.
A picture of the Austen family coat of arms is also available (both the original greyscale and a rudimentary colorization). The heraldic "blazon" (description) is "Or, a chevron gules between three lions' gambs erect, erased sable armed of the second. Crest: on a mural crown or, a stag sejant argent, attired or." (Note that the ornamental winged child's head at the bottom of the heraldic shield is not actually part of the coat of arms.) The Latin motto, "QUI INVIDIT MINOR EST", can be translated as "Who(ever) envies (me) is lesser/smaller (than I)".
Jane Austen was born December 16th, 1775 at Steventon, Hampshire, England (near Basingstoke). She was the seventh child (out of eight) and the second daughter (out of two), of the Rev. George Austen, 1731-1805 (the local rector, or Church of England clergyman), and his wife Cassandra, 1739-1827 (née Leigh). (See the silhouettes of Jane Austen's father and mother, apparently taken at different ages.) He had a fairly respectable income of about £600 a year, supplemented by tutoring pupils who came to live with him, but was by no means rich (especially with eight children), and (like Mr. Bennet in Pride and Prejudice) couldn't have given his daughters much to marry on.
Jane Austen did a fair amount of reading, of both the serious and the popular literature of the day (her father had a library of 500 books by 1801, and she wrote that she and her family were "great novel readers, and not ashamed of being so"). However decorous she later chose to be in her own novels, she was very familiar with eighteenth century novels, such as those of Fielding and Richardson, which were much less inhibited than those of the later (near-)Victorian era. She frequently reread Richardson's Sir Charles Grandison, and also enjoyed the novels of Fanny Burney (a.k.a. Madame D'Arblay). She later got the title for Pride and Prejudice from a phrase in Burney's Cecilia, and when Burney's Camilla came out in 1796, one of the subscribers was "Miss J. Austen, Steventon". The three novels that she praised in her famous "Defense of the Novel" in Northanger Abbey were Burney's Cecilia and Camilla, and Maria Edgeworth's Belinda. (See also the diagram of Jane Austen's literary influences).
Jane Austen enjoyed social events, and her early letters tell of dances and parties she attended in Hampshire, and also of visits to London, Bath, Southampton etc., where she attended plays and such. There is a famous statement by one Mrs. Mitford that Jane was the "the prettiest, silliest, most affected, husband-hunting butterfly she ever remembers" (however, Mrs. Mitford seems to have had a personal jealousy against Jane Austen, and it is hard to reconcile this description with the Jane Austen who wrote The Three Sisters before she was eighteen).
There have been only two authentic surviving portraits of Jane Austen, both by her sister Cassandra, one of which is a back view! (A poor-quality greycale JPEG and a poor-quality color JPEG of this are available.) The other is a rather disappointing pen and wash drawing made about 1810 (a somewhat manipulated JPEG of this original sketch is available). The main picture of Jane Austen referenced at this site (JPEG) is a much more æsthetically pleasing adaptation of the same portrait, but should be viewed with caution, since it is not the original (for a more sentimentalized Victorian version of this portrait, see this image, and for an even sillier version of the portrait, in which poor Jane has a rather pained expression and is decked out in cloth-of-gold or something, see this image -- for some strange reason, it is this last picture which has been frequently used to illustrate popular media articles on Jane Austen). Here's the silliest version of this portrait ever.
For a fun modern re-creation of the Jane Austen portrait, see the "Photograph" of Jane Austen lounging at a Hollywood poolside (as seen in Entertainment Weekly). See also a deliberately contemporized (but not silly) version of the portrait by Amy Bellinger. The silhouette included at the top of these files (if you have a graphic browser) is not actually known with certainty to be Jane Austen's. Here is another silhouette said to be of Jane Austen, taken from The Illustrated Letters of Jane Austen edited by Penelope Hughes-Hallett (formerly published as My Dear Cassandra: The Letters Of Jane Austen).
Silhouettes of Jane Austen's father and mother (that of her father apparently taken at a rather earlier age), a silhouette of Cassandra, and Cassandra's portrait of their niece Fanny Knight (JPEG) are also available.
In 1994, another portrait, claimed to be of Jane Austen, has been discovered among Mr. Clarke's papers, and published in a limited edition (this portrait was reportedly printed in the Daily Telegraph book section of Saturday, March 4 1995). Go to this site for more information (and a scanned image) of the portrait.
A picture of the Austen family coat of arms is also available (both the original greyscale and a rudimentary colorization). The heraldic "blazon" (description) is "Or, a chevron gules between three lions' gambs erect, erased sable armed of the second. Crest: on a mural crown or, a stag sejant argent, attired or." (Note that the ornamental winged child's head at the bottom of the heraldic shield is not actually part of the coat of arms.) The Latin motto, "QUI INVIDIT MINOR EST", can be translated as "Who(ever) envies (me) is lesser/smaller (than I)".